THE CHROMATIC SCALE

Exploring The World Of Music: The Chromatic Scale

The chromatic scale is often dubbed the musical “world” by musicians. This is because it contains all the notes that are available to us in western music, making every scale, chord and melody a subset of it.

In this blog post, we will embark on an exploration of this scale, delving into its definition, how it is notated, and the plethora of ways it shapes the expressive language of music. From classical compositions to contemporary hits, this scale weaves through genres and time periods, offering a rich tapestry of sound that captivates both the ear and the imagination.

The Basics Of The Chromatic Scale

Definition and Structure

The chromatic scale (also known as the 12 tone scale) is a musical scale that consists of all twelve pitches within an octave, encompassing every possible semitone. Unlike diatonic scales which have a specific pattern of whole and half steps and typically include only seven notes, the chromatic scale includes all the available notes in Western Music, both natural and those altered by sharps or flats. This inclusivity results in a sequence where each adjacent note is separated by a half step, creating a continuous and evenly spaced progression of tones.

The structure of this scale is characterised by its lack of a distinct tonal centre giving it a neutral and ambiguous quality. The sequence of pitches within the chromatic scale unfolds in a linear fashion, with each note being a half step away from its neighbouring notes. This consistent and symmetric arrangement contributes to the scale’s inherent sense of tension and unpredictability.

Chromatic Scale Notation

In Western music notation, pitches are represented by the natural notes (A, B, C, D, E, F, G) and their associated sharps or flats. The notational symbols for sharps (♯) and flats (♭) are used to indicate when a note is raised or lowered by a half step, respectively. The chromatic scale is written by consecutively placing these notes on a musical staff, creating a linear sequence that ascends or descends without skipping any pitches.

Types of Chromatic Scale Notation

There are 2 ways to notate a chromatic scale:

  • Harmonic
  • Melodic (Arbitrary)
Harmonic Chromatic Scale

A harmonic chromatic scale is written the same whether ascending or descending and includes all the notes of the major, harmonic and melodic minor scales associated with your root note PLUS a flattened second and a sharpened fourth.

Take a look at the example below:

The C major scale is C-D-E-F-G-A-B-C. C harmonic is C-D-Eb-F-G-Ab-B-C and C melodic is C- D-Eb-F-G-A-B-C. The only notes that are left are Db and F#, the flatted second and the sharpened fourth!

(If you were wondering where the Bb came from, in classical music theory, to descend a melodic minor scale, you actually play the natural minor scale, which would be C-Bb-Ab-G-F-Eb-D-C)

Melodic (Arbitrary)

The melodic chromatic scale is notated similarly to the standard chromatic scale, with the inclusion of accidentals to represent chromatic alterations in a melody.

For example, if you are in the key of C major and want to notate a melodic chromatic scale ascending from C to C using accidentals, it would look like this:

Chromatic Scale, Melodic

(C – C♯ – D – D♯ – E – F – F♯ – G – G♯ – A – A♯ – B – C)

Notating the scale descending would change all of the sharps from the ascending scale to flats which is where the melodic and harmonic notations of this scale differ.

Here’s an example:

(C – B – B♭ – A – A♭ – G – G♭ – F – E – E♭ – D – D♭ – C)

Notation Rules

Regardless of the way you choose to notate the chromatic scale, the following rules remain consistent and should be noted:

  1. Chromatic scales are usually written with sharps while ascending (omitting the harmonic chromatic scale) and with flats while descending. Try your best not to mix and match sharps and flats. This is for ease of reading.
  2. The scale must start and end with same letter name.
  3. A letter name can be used more than once in a row but NEVER more than twice in a row.

History and Evolution of The Chromatic Scale

The historical evolution of the chromatic scale is a rich narrative that unfolds over centuries, reflecting the dynamic evolution of musical expression and theory. Its roots can be traced back to ancient Greece, where early musical thinkers like Pythagoras began experimenting with dividing the octave into smaller intervals. The word “chromatic” actually comes from the greek word “chromos” meaning “colour”. However, it was not until the medieval period, particularly with the contributions of Guido of Arezzo, that laid the groundwork for understanding pitch relationships and the use of accidentals (sharps, flats, and naturals) was laid. The Ars Nova period in the 14th century witnessed a more liberal application of accidentals, allowing for a more nuanced exploration of pitch, which continued to evolve during the Renaissance and Baroque periods.

The Baroque era marked a turning point, with composers such as Johann Sebastian Bach using chromaticism for expression and introducing more complex harmonic structures. The Classical and Romantic periods saw further expansion of chromaticism, with composers like Beethoven and Wagner using chromatic passages to convey intense emotions and create dramatic effects. The 20th century ushered in a radical shift with the rise of atonal music and the exploration of new tonal languages by composers like Schoenberg and Stravinsky. The establishment of twelve-tone equal temperament became a pivotal moment, ensuring that all twelve pitches in the chromatic scale were equally spaced and laying the foundation for its universal acceptance in contemporary music.

How Are Chromatic Scales Used Today?

In contemporary music, the chromatic scale plays a pivotal role in a wide range of genres, showcasing its unmatched versatility. One prevalent application is in jazz, where musicians frequently employ chromaticism to add colour, tension, and complexity to improvisational lines. Jazz musicians use chromatic passing tones, approach tones, and altered scales derived from the chromatic scale to create expressive and unpredictable melodic patterns. Additionally, chromaticism is a fundamental aspect of jazz harmony, contributing to the rich and sophisticated chord progressions that define the genre.

In popular and electronic music, the chromatic scale is frequently utilised for its ability to introduce unexpected twists and turns in melodies and harmonies. Chromaticism is often employed in vocal embellishments, guitar riffs, and keyboard solos to create a modern and dynamic sound. In film scoring, composers use the chromatic scale to evoke specific moods and enhance the emotional impact of a scene. The chromatic scale’s adaptability to diverse musical contexts makes it a powerful tool for contemporary composers and performers, allowing them to push creative boundaries and experiment with unique tonal expressions.

8 Ways To Use Chromaticism In Your Playing


Using the chromatic scale adds depth, colour, and tension to your musical compositions or improvisations. Here are 8 ways you can incorporate the chromatic scale into your music:

  1. Emphasise Tension and Release: Use chromatic notes to create tension, and resolve them to diatonic notes for release.
  2. Connect Diatonic Chords: Use chromatic passing tones to smoothly connect chords in a progression. This technique can add a lot of fluidity and interest to your chord progressions.
  3. Create Melodic Interest: Insert chromatic notes within a melody to create unexpected twists and turns. This can make your melodies more interesting and expressive.
  4. Enhance Harmony: Expand your harmonic palette by incorporating chromatic chords or chromatic alterations to existing chords. This can add complexity and sophistication to your harmonic progressions.
  5. Improvise with Chromaticism: In improvisation, use the chromatic scale to create exciting and unpredictable lines.
  6. Utilize Chromatic Patterns: Develop rhythmic and melodic patterns using the chromatic scale.
  7. Chromatic Pedal Points: Use a chromatic pedal point by sustaining or repeating one note while the harmony around it changes. This technique can be particularly effective in building tension and creating a sense of instability.
  8. Experiment with Dissonance: Deliberately introduce dissonant intervals from the chromatic scale for a bold and avant-garde sound. Resolve these dissonances strategically to maintain a sense of musical direction.

Conclusion

In conclusion, the chromatic scale stands as a timeless and dynamic force in the realm of music, weaving its way through centuries of artistic expression. From its ancient origins to the modern era, the chromatic scale has evolved, transcended traditional boundaries, and become an indispensable tool for musicians across genres. Its twelve pitches, connected by half steps, offer a limitless palette for composers and performers to infuse their creations with tension, emotion, and unexpected beauty. Whether serving as the backbone of jazz improvisation, a source of cinematic drama, or a vehicle for avant-garde experimentation, the chromatic scale embodies the very essence of musical exploration.

That being said, do not be afraid to explore the “world” and all that it has to offer!
Good luck!